This year has been filled with looking, writing and talking, three things I enjoy very much indeed. I have had several very interesting assessment projects, ranging from a gorgeous collection of medieval and early modern European manuscript fragments to an incredibly complete representation of arts and crafts printing heritage in a collection based on the output of the Essex House Press. Looking inevitably precedes writing, and the resulting reports on all these great projects must run to many thousands of words of advice.
Talking this year has involved several presentations, most recently to the members of the Royal Philatelic Society of London on their Perkins Bacon collection of letter books. This vital and complete record of early stamp history and printing on an international level was very difficult to access due to the damaged condition of the material, and is currently undergoing conservation with the generous support of the National Manuscripts Conservation Trust.
A project that is just drawing to a close – and one that will deserve a post all of its own – is the extensive work I have undertaken on the Oliver Messel Archive for the University of Bristol’s Theatre Collection. This has been such a wonderful project to conserve, and centres on a series of evocative photograph albums detailing Messel’s early life and work as a theatre designer and an incredible collection of architectural plans of his later interests as an interior designer. As there are to be no spoilers for the longer post at the end of the project I will leave it at that for now, with one small tantalising example of Messel’s output – who would not want to live in a house like this?
My thanks to the Royal Philatelic Society of London and the Theatre Collection for kindly allowing me to use these images.
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